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Inspired in part by the United States Holocaust Memorial Museum’s “Americans and the Holocaust” exhibition and supported by its historical resources, The U.S. and the Holocaust examines the rise of Hitler and Nazism in Germany in the context of global antisemitism and racism, the eugenics movement in the United States and race laws in the American south.

Los Aliados liberan los campos Alemanes y el público ve la magnitud del Holocausto.
As the Allies liberate German camps, the public sees the sheer scale of the Holocaust.
As war begins, some Americans work tirelessly to help refugees; others remain indifferent.
Corporate funding provided by Bank of America. Major funding provided by David M. Rubenstein; the Park Foundation; the Judy and Peter Blum Kovler Foundation; Gilbert S. Omenn and Martha A. Darling; The Arthur Vining Davis Foundations; and by the following members of The Better Angels Society: Jeannie and Jonathan Lavine; Jan and Rick Cohen; Allan and Shelley Holt; the Koret Foundation; David and Susan Kreisman; Jo Carole and Ronald S. Lauder; Blavatnik Family Foundation; Crown Family Philanthropies, honoring the Crown and Goodman Families; the Fullerton Family Charitable Fund; Dr. Georgette Bennett and Dr. Leonard Polonsky; The Russell Berrie Foundation; Diane and Hal Brierley; John and Catherine Debs; and Leah Joy Zell and the Joy Foundation. Funding was also provided by the Corporation for Public Broadcasting and by public television viewers.
Latest Episode
As the Allies liberate German camps, the public sees the sheer scale of the Holocaust.
Los Aliados liberan los campos Alemanes y el público ve la magnitud del Holocausto.
As war begins, some Americans work tirelessly to help refugees; others remain indifferent.
En la guerra, algunos estadounidenses ayudan a los refugiados; otros son indiferentes.
Una reacción xenófoba lleva al Congreso a restringir la inmigración.
Reversing open borders, a xenophobic backlash prompts Congress to restrict immigration.
Extras
Filmmakers and special guests explore themes from the U.S. and the Holocaust.
Ken Burns on 'the most important film we've ever made'.