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  • NPR's Noel King talks to GOP Sen. Mike Braun of Indiana about a House vote on whether to impeach President Trump that would lead to a trial in the Senate. NPR's Kelsey Snell weighs in on the topic.
  • Lisa Hager, Ph.D., and David Wiltse, Ph.D., discuss the challenges that Trump's executive actions are facing in the courts, especially in regards to education.
  • Listen to an in-studio concert and conversation with the Canadian singer and her longtime guitarist, Jordan Officer.
  • After inadvertently airing live coverage of a car chase that ended with a man's suicide, Fox News has issued an apology to its viewers. The incident occurred as the cable network carried a live feed of a man fleeing police.
  • Rowan got his start performing with the father of bluegrass, Bill Monroe. In the '70s, he formed the band Old and in the Way with Jerry Garcia. In 2010, he joined his group for an in-studio session and interview on Fresh Air.
  • The Washington, D.C.-based painter became famous for his Drape works — vibrantly painted pieces of fabric that he hung by clips and could never be presented the same way twice.
  • Lynne's latest album is a tribute to Dusty Springfield — nine covers and one song inspired by The White Lady of Soul. Lynne talks about her approach to the songs, her respect for Springfield, and how much whiskey she had to drink to take on songs originally recorded by her idol.
  • The vocal legend has released more than 70 albums in a six-decade career. His latest, Duets II, pairs him with artists from Lady Gaga to Aretha Franklin. In a special video and interview, Bennett discusses his legacy and longevity, and performs in NPR's Studio 4A.
  • Dub Qawwali producer Gaudi mixes his big beats and reggae rhythms to the soaring, passionate vocals of the late Nusrat Fateh Ali Khan, a master of the Sufi devotional music called qawwali.
  • In the liner notes to his new album, Ghost on the Canvas, Campbell writes that it's the last studio record he plans to make after being diagnosed with Alzheimer's Disease. Rock critic Ken Tucker says the album "has a melancholy air of valedictory about it."
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